Ming Wong

Lives and works in Berlin

Ming Wong works with cinema and popular culture to consider how one’s identity is constructed, reproduced and circulated. Through imperfect translations and reenactments of classic world cinema in which the artist plays all of the characters, Wong’s videos, photographs, installations, and performances uncover the slippages that haunt ideas of “authenticity” and “originality”.

Wong has been announced as the Artist in Residence for 2025 at the National Gallery in London, in partnership with the Glynn Vivian Art Gallery in Swansea. The Residency will culminate in a solo exhibition and publication in the winter.

Recent exhibitions and performances include Rhapsody in Yellow touring at Schauspielhaus Hannover (2024), Berliner Festspiele Berlin (2023), SpielArt Festival Munich (2023), and steirischer herbst Graz (2022); Festival Extra!, Centre Pompidou, Paris (2023); Signals: How Video Transformed The World, MoMA, New York (2023); Pier Paolo Pasolini: Tutto è santo. The political body, MAXXI, Rome (2022); Wayang Spaceship, Singapore Art Museum (2022); Ridiculously Yours! Art, Awkwardness and Enthusiasm, Bundeskunsthalle, Bonn (2022), Deichtorhallen Hamburg (2023), and Neue Galerie, Graz (2023).

Ming Wong participated in Aichi Triennale (2022); Hawai’i Triennial (2022); Seoul Mediacity Biennale (2021); Asian Art Biennial, Taichung (2019); Dakar Biennale (2019); Dhaka Art Summit (2018); and Biennales in Sydney (2016 & 2010); Shanghai (2014); Lyon (2013); Liverpool (2012); Gwangju (2010); and Performa 11, New York (2010). He represented Singapore at the 53rd Venice Biennale (2009) with his solo exhibition Life of Imitation, which was awarded a Special Mention.

Video