The project at Casal Solleric is one of Luis Gordillo‘s most complete exhibitions of the last decade, the largest exhibition he has held to date in the Balearic Islands. Constantes vitales brings together some of his main works of the 21st century with an active nature. At the same time, this review considers in depth the most notable lines of research of this final period, giving special importance to his drawing implosions, his persistent obsession with faces and the appearance in these years of extensive photo pictorial collages. The general approach of the exhibition is dialectical and not chronological. Its intention is to discover syntactic and structural aspects that serve to understand the artist’s modes of operation, his way of facing the creative fact with unprejudiced and maximum freedom, always placing in the first place a type of experimental praxis that allows many open developments, especially those that facilitate a constant feedback between painting and photography, a characteristic territory of the author where the image in process defines internal configurations that construct the work.

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