Nida Sinnokrot

Lives and works in Boston and Ramallah

Nida Sinnokrot’s work is informed by cinema, colonial history, narrative structures, and the politics of technology. Through tactical acts of technical and conceptual détournement, his work aims to subvert various technologies of control that give rise to shifting social, political, and geographic instabilities.

His films and installation works have been shown in numerous international exhibitions, including including KIOSK, Ghent (2018); Witte de With, Rotterdam (2015); Darat al Funun, Amman (2014); Akademie Schloss Solitude, Stuttgart (2014); the travelling exhibition Tea with Nefertiti, Mathaf, Doha; Institut du monde arabe, Paris; Institut Valencià d’Art Modern, Spain and Staatliches Museum Ägypticher Kunst, Munich (2012-2014); Bozar Museum, Brussels (2008) and Kunsthalle Exnergasse, Vienna (2004). Palestinian Blues, his first film, has won numerous awards in international film. Nida Sinnokrot also participated in the 57th Venice Biennial (2017), the 13th Sharjah Biennial (2017) and the 10th Tapei Biennial (2016). He is currently Assistant Professor in MIT Program in Art, Culture and Technology (ACT) and co-founder of Sakiya – Art | Science | Agriculture.

Selected Works

Nida Sinnokrot

Untitled #47, 2026
from the series Rubber-coated Rocks
stone, ball, steel stand, Plinth, Metal: 100cm
39,5 × 22,5 × 18 cm

Nida Sinnokrot

Theis , 2020 / ongoing
from the series Water Witness
Metal pipes and fittings, clay vessels, found objects
150 × 40 × 40 cm

Nida Sinnokrot

Sahar, 2020 / ongoing
from the series Water Witness
Metal pipes and fittings, clay vessels, found objects, nylon stocking
135 × 40 × 40 cm

Nida Sinnokrot

Dima, 2020 / ongoing
from the series Water Witness
Metal pipes and fittings, clay vessels, found objects
110 × 40 × 110 cm

Nida Sinnokrot

Mother and Child, 2020 / ongoing
from the series Water Witness
Metal pipes and fittings, clay vessels, found objects
Mother: 172 × 40 × 50 cm
Child: 66 × 40 × 30 cm

Nida Sinnokrot

Shepherd’s daughter, 2020 / ongoing
from the series Water Witness
Metal pipes and fittings, clay vessels, found objects
72 × 41 × 22 cm

Nida Sinnokrot

Crack (Broken Landscape), 2008
Cracked lens, projector
variable dimensions

Nida Sinnokrot

Exquisite Rotation (Fakir Fans), 2015 / 2016
Gilded manuscript, pedestal, light, camera, microphones, speakers, projector, fans

Nida Sinnokrot

Flight-Jalazone, 2016
3 channel video installation on 3 monitors
2.09 min

Nida Sinnokrot

Silver Screen / Golden Dome, 2018
Projection screen, lenses
variable dimensions

Nida Sinnokrot

High Dive, 2018

Nida Sinnokrot

Ya Ghanamati (Billboard no. 02), 2014
Mechanical billboard, sheep skin, motor, sensor
600 × 240 × 20 cm

Nida Sinnokrot

When Her Eyes Lifted, 1998 – 1999
16mm film loop, 3 modified projectors, motor, sensors, Steenbeck parts, amplifier, carpet, midi-controller
screen dimensions variable

Nida Sinnokrot

Rubber-Coated Rocks, All-Stars 02, 2015
Stone, rubble, football, volleyball, basketball, tennis ball, string, stocking, wire rope, plastic, steel
dimensions variable

Nida Sinnokrot

Rawabi, 2013-14
Camel jaw, gold
35 × 35 × 30 cm

Nida Sinnokrot

Jonah’s Whale, 2014
Hand-cut Israeli settlers’ caravan repurposed as Palestinian construction site office
480 × 1.200 × 240 cm

Video