At the junction of site-specific installation, painting, sculpture, video, and sound, twenty-one students and alumni from Haegue Yang’s class at the Hochschule für Bildende Künste—Städelschule present distinct works that are held in gravitational proximity, falling in and out of affinity. Marked by the circumstances of its production, Touch Release forms the very first physical union of artists who have shared a past trajectory, developing the reciprocity of touch, the aversion to it, and the consequences in between.
Touch Release unhinges a merely physical conception of touch and steers it toward a layered understanding of what it means to approach, connect, and let go. Touch Release comprehends touch as an accumulation of forces that run through and govern both object and body—often inseparably. It addresses them as sites of transformation, channeling how they come to bear traces, how they move and are moved, how they leak, rub, condense, perspire, and transmit. Together, to sensitize the limits of control and what might lie beyond.