Guez’s installation “Foreign Fields” (2021) and his “Lilies of the Field” (2019) series of photographs call a deep memory to consciousness. That same movement of thought and experience is what gives the works their dynamism: the unmooring from reality; the need for an order that is as comprehensive as it is beyond doubt; insight into their (im)possibility given their historical, cultural, communicative, religious conditions; critique of ineffective systems of order; a passing preoccupation with the lost, but concrete individual; careful convergence to unities.

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