In her second exhibition at carlier | gebauer, Berlin, Iman Issa is showing a collection of works revolving around photography in many of its facets.
Sometimes you come across (an image of) a statue, a monument, a building, an event, barely looking at it and hardly noticing it. Even when you do notice it, it feels inconsequential; a benign sign of a time gone by, regardless of how violent that time was, or is perceived to have been. But there are other times when you cross an image of the same statue, monument, or building realizing that looking at it has become unbearable—That it is clearly malicious and destructive to your being. You take account of it now as an active agent in a recurrent violence which, you also now clearly understand, has never ceased.
Opening: Friday, 26 April, 2024, 6 – 9 pm, on the occasion of Gallery Weekend Berlin.
Installation Views
Selected Works
Iman Issa
Woman with a Wheelbarrow, 2024
lacquered metal (180 × 56 × 13 cm), text panel under glass (15 × 21 cm)
Iman Issa
Lab Operator, 2024
lacquered metal, glass (179,5 × 57 × 14 cm), text panel under glass (15 × 21 cm)
Iman Issa
Two Women, 2024
lacquered metal (180,5 × 52,5 × 61,5 cm), text panel under glass (15 × 21 cm)
Iman Issa
(E)Very Particular Thing(s), 2024
set of 6 Classic Art Prints – Fuji Matt + hanging system
53 × 148 × 76,5 cm
Iman Issa
Animal Masks for Tribunal Scene, 2022
3D prints, acrylic, color, steel, wire (220 × 330 × 330 cm), text panel
Iman Issa
(Art) Objects—And More, 2024
c-print (61,5 × 92 cm)
Iman Issa
Colors, Lines, Numbers, Symbols, Shapes, and Images—Or So You May Think, 2024
archival inkjet print
68,5 × 48 cm
Iman Issa
Colors, Lines, Numbers, Symbols, Shapes, and Images—Or So You May Think, 2024
archival inkjet print
68,5 × 48 cm
Iman Issa
Colors, Lines, Numbers, Symbols, Shapes, and Images—Or So You May Think, 2024
archival inkjet print
68,5 × 48 cm