The historic hall of Radvila Palace is transformed into an environment that resembles a clinical surgery or hospital room, where human presence, with the exception of the visitors’ own physicality, is replaced by technology. Suspended between the physical and the virtual, the bodily and the digitised, the space is inhabited by transparent thermoformed ‘bodies’ abstracted into sculptural biomorphic shapes. Influenced by Lithuanian artist Marija Teresė Rožanskaitė’s paintings from the 1970s and 80s, the sculptures merge technology, draperies, organic and synthetic materials into abstracted states.