As part of the exhibition program of Fundación Casa Wabi, Tierra Vaga displays the work of Michel François (Brussels, 1956) and Harold Ancart (Brussels, 1980), who built a poetic and mental landscape of Oaxaca’s Costa Chica inside the gallery, which dynamically contrasts and assimilates to the roughness that surrounds the exterior.

François uses materials from the region such as tropical timber and local clay bricks, and other urban elements such as chain-link fencing, ash, confetti, and gold leaf to create a set that reveals multiple realities simultaneously. With a conceptual tinge, the artist intervenes the object and material, twisting them, breaking them, hollowing them, solarizing them, and liberating them from their common forms and status. Those remnants of actions appear in the specific context of the Japanese architect Tadao Ando’s construction of lined concrete. In this way, his large installation reveals evoking social situations, political affairs and other developments related to it.

In the exhibition, the artists combine a 48-meter gold wire with a feast of color by covering the floors with confetti. At the same time, through a large fence opening one can see a perforated wood while concrete contrast with crawling vegetation, making this immaculate exhibition its own. The damaged fence, that is both a limit and a threshold, resembles Francois’ previous work where a cage represents subjectivity and human will. Here in Oaxaca the connotation shifts; “golden cage” is the term used by migrants travelling to the United States who reach the ultimate goal, the “American Dream” that costs them their freedom.

casawabi.org/en/exhibitions/tierra-vaga-michel-francois-harold-ancart