Abdulhamid Kircher is exemplary of a new generation of photographic artists who today engage with analog color photography in an experimental and expansive way, exploring its delicate surfaces and activating its emotional frequencies. In this process, the darkroom is more than just a place of photographic production: it becomes a space of reflection, where experiences, relationships, and memories are first processed, reshaped, and made tangible while still remaining subtly visible.
The exhibition takes place as part of the 9th Triennale of Photography in Hamburg and was curated by Nadine Isabelle Henrich, curator at the Haus der Photographie.