In this solo exhibition at College des Bernardins, Paris, Tarik Kiswanson proposes a dialogue that is both visual and conceptual with Cistercian architecture, by installing stretched metal structures in the heart of the space. Creating an echo of the columns, these slender sculptures will fall from the keystones, creating structures among which spectators will be able to move and discover the place in a new light, becoming actors in the work themselves, thanks to the multiple plays of reflections and points of view induced by the polished metal until it becomes a mirror.

Curated by Gaël Charbau