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Nida Sinnokrot

Nida Sinnokrot’s work is informed by cinema, colonial history, narrative structures, and the politics of technology. Through tactical acts of technical and conceptual détournement, his work aims to subvert various technologies of control that give rise to shifting social, political, and geographic instabilities. 
 

Nida Sinnokrot (b. 1971) grew up in Algeria and currently lives and works in Boston and Jerusalem. His films and installation works have been shown in numerous international exhibitions, including including KIOSK, Ghent (2018); Witte de With, Rotterdam (2015); Darat al Funun, Amman (2014); Akademie Schloss Solitude, Stuttgart (2014); the travelling exhibition Tea with Nefertiti, Mathaf, Doha; Institut du monde arabe, Paris; Institut Valencià d’Art Modern, Spain and Staatliches Museum Ägypticher Kunst, Munich (2012-2014); Bozar Museum, Brussels (2008) and Kunsthalle Exnergasse, Vienna (2004). Palestinian Blues, his first film, has won numerous awards in international film. Nida Sinnokrot also participated in the 57th Venice Biennial (2017), the 13th Sharjah Biennial (2017) and the 10th Tapei Biennial (2016). He is currently Assistant Professor in MIT Program in Art, Culture and Technology (ACT) and co-founder of Sakiya – Art | Science | Agriculture.

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