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Michel François

Michel François uses an economy of means to transform seemingly uncomplicated objects and materials, or traces of past events, into deeply resonant carriers of meaning. His sculptures can be seen as an exploration of cause and effect, and the ways in which simple gestures can change the status of an object or have important consequences.

Michel François (b.1956, Saint-Trond) lives and works in Brussels. Among countless international exhibitions, he has presented projects at the Havana Biennial (2015), the Belgian Pavilion at the 48th Venice Biennale (1999), the 22nd São Paulo Biennial (1994) and documenta IX in Kassel (1992). He has had solo exhibitions at Ikon Gallery, Birmingham; Dia Center for the Arts, New York; S.M.A.K., Ghent; Fundació Joan Miró, Barcelona;  Kunsthalle Bern, Bern, Haus der Kunst, Munich. He has participated in group exhibitions at venues such as Museu de Arte Moderna, Rio de Janeiro; Tapei Fine Art Museum, Taipei; Centre Pompidou-Metz, Metz; Jeu de Paume, Paris; Haus der Kunst, Munich; Centre Pompidou, Paris; and Fondation Hermès, Brussels. 

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